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01 |
Lucille |
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For an album that yielded not a single hit (and which was one of five long-players released by the band in 1962), Mashed Potatoes and Gravy (later retitled The Ventures' Beach Party) is one hell of an enjoyable album and still a very solid and substantial album, over 40 years later. The group's sound was lean and mean all the way through, whether doing a respectful cover of George Gershwin's "Summertime" or raucous renditions of "Lucille," "Poison Ivy," and "Hully Gully." Even the seeming throwaway numbers, such as "Hot Summer (Asian Mashed)," with its faux-Eastern embellishments, and the soaring "Spudnik," are played with such virtuosity and spirit that they demand attention, and there are a surprising number of vocals on this album, albeit mostly of the nature of choruses on songs like "The Wah-Watusi" and "Hully Gully." — Bruce Eder |
02:15 |
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02 |
Gravy (For My Mashed Potatoes) |
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For an album that yielded not a single hit (and which was one of five long-players released by the band in 1962), Mashed Potatoes and Gravy (later retitled The Ventures' Beach Party) is one hell of an enjoyable album and still a very solid and substantial album, over 40 years later. The group's sound was lean and mean all the way through, whether doing a respectful cover of George Gershwin's "Summertime" or raucous renditions of "Lucille," "Poison Ivy," and "Hully Gully." Even the seeming throwaway numbers, such as "Hot Summer (Asian Mashed)," with its faux-Eastern embellishments, and the soaring "Spudnik," are played with such virtuosity and spirit that they demand attention, and there are a surprising number of vocals on this album, albeit mostly of the nature of choruses on songs like "The Wah-Watusi" and "Hully Gully." — Bruce Eder |
01:59 |
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03 |
Hernando's Hideaway |
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For an album that yielded not a single hit (and which was one of five long-players released by the band in 1962), Mashed Potatoes and Gravy (later retitled The Ventures' Beach Party) is one hell of an enjoyable album and still a very solid and substantial album, over 40 years later. The group's sound was lean and mean all the way through, whether doing a respectful cover of George Gershwin's "Summertime" or raucous renditions of "Lucille," "Poison Ivy," and "Hully Gully." Even the seeming throwaway numbers, such as "Hot Summer (Asian Mashed)," with its faux-Eastern embellishments, and the soaring "Spudnik," are played with such virtuosity and spirit that they demand attention, and there are a surprising number of vocals on this album, albeit mostly of the nature of choruses on songs like "The Wah-Watusi" and "Hully Gully." — Bruce Eder |
02:23 |
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04 |
Mashed Potato Time |
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For an album that yielded not a single hit (and which was one of five long-players released by the band in 1962), Mashed Potatoes and Gravy (later retitled The Ventures' Beach Party) is one hell of an enjoyable album and still a very solid and substantial album, over 40 years later. The group's sound was lean and mean all the way through, whether doing a respectful cover of George Gershwin's "Summertime" or raucous renditions of "Lucille," "Poison Ivy," and "Hully Gully." Even the seeming throwaway numbers, such as "Hot Summer (Asian Mashed)," with its faux-Eastern embellishments, and the soaring "Spudnik," are played with such virtuosity and spirit that they demand attention, and there are a surprising number of vocals on this album, albeit mostly of the nature of choruses on songs like "The Wah-Watusi" and "Hully Gully." — Bruce Eder |
02:06 |
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05 |
Summertime |
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For an album that yielded not a single hit (and which was one of five long-players released by the band in 1962), Mashed Potatoes and Gravy (later retitled The Ventures' Beach Party) is one hell of an enjoyable album and still a very solid and substantial album, over 40 years later. The group's sound was lean and mean all the way through, whether doing a respectful cover of George Gershwin's "Summertime" or raucous renditions of "Lucille," "Poison Ivy," and "Hully Gully." Even the seeming throwaway numbers, such as "Hot Summer (Asian Mashed)," with its faux-Eastern embellishments, and the soaring "Spudnik," are played with such virtuosity and spirit that they demand attention, and there are a surprising number of vocals on this album, albeit mostly of the nature of choruses on songs like "The Wah-Watusi" and "Hully Gully." — Bruce Eder |
02:36 |
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06 |
Hot Summer (Asian Mashed) |
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For an album that yielded not a single hit (and which was one of five long-players released by the band in 1962), Mashed Potatoes and Gravy (later retitled The Ventures' Beach Party) is one hell of an enjoyable album and still a very solid and substantial album, over 40 years later. The group's sound was lean and mean all the way through, whether doing a respectful cover of George Gershwin's "Summertime" or raucous renditions of "Lucille," "Poison Ivy," and "Hully Gully." Even the seeming throwaway numbers, such as "Hot Summer (Asian Mashed)," with its faux-Eastern embellishments, and the soaring "Spudnik," are played with such virtuosity and spirit that they demand attention, and there are a surprising number of vocals on this album, albeit mostly of the nature of choruses on songs like "The Wah-Watusi" and "Hully Gully." — Bruce Eder |
02:16 |
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07 |
Poison Ivy |
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For an album that yielded not a single hit (and which was one of five long-players released by the band in 1962), Mashed Potatoes and Gravy (later retitled The Ventures' Beach Party) is one hell of an enjoyable album and still a very solid and substantial album, over 40 years later. The group's sound was lean and mean all the way through, whether doing a respectful cover of George Gershwin's "Summertime" or raucous renditions of "Lucille," "Poison Ivy," and "Hully Gully." Even the seeming throwaway numbers, such as "Hot Summer (Asian Mashed)," with its faux-Eastern embellishments, and the soaring "Spudnik," are played with such virtuosity and spirit that they demand attention, and there are a surprising number of vocals on this album, albeit mostly of the nature of choruses on songs like "The Wah-Watusi" and "Hully Gully." — Bruce Eder |
02:53 |
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08 |
The Wah-Watusi |
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For an album that yielded not a single hit (and which was one of five long-players released by the band in 1962), Mashed Potatoes and Gravy (later retitled The Ventures' Beach Party) is one hell of an enjoyable album and still a very solid and substantial album, over 40 years later. The group's sound was lean and mean all the way through, whether doing a respectful cover of George Gershwin's "Summertime" or raucous renditions of "Lucille," "Poison Ivy," and "Hully Gully." Even the seeming throwaway numbers, such as "Hot Summer (Asian Mashed)," with its faux-Eastern embellishments, and the soaring "Spudnik," are played with such virtuosity and spirit that they demand attention, and there are a surprising number of vocals on this album, albeit mostly of the nature of choruses on songs like "The Wah-Watusi" and "Hully Gully." — Bruce Eder |
02:20 |
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09 |
Instant Mashed |
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For an album that yielded not a single hit (and which was one of five long-players released by the band in 1962), Mashed Potatoes and Gravy (later retitled The Ventures' Beach Party) is one hell of an enjoyable album and still a very solid and substantial album, over 40 years later. The group's sound was lean and mean all the way through, whether doing a respectful cover of George Gershwin's "Summertime" or raucous renditions of "Lucille," "Poison Ivy," and "Hully Gully." Even the seeming throwaway numbers, such as "Hot Summer (Asian Mashed)," with its faux-Eastern embellishments, and the soaring "Spudnik," are played with such virtuosity and spirit that they demand attention, and there are a surprising number of vocals on this album, albeit mostly of the nature of choruses on songs like "The Wah-Watusi" and "Hully Gully." — Bruce Eder |
02:17 |
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10 |
Scratch |
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For an album that yielded not a single hit (and which was one of five long-players released by the band in 1962), Mashed Potatoes and Gravy (later retitled The Ventures' Beach Party) is one hell of an enjoyable album and still a very solid and substantial album, over 40 years later. The group's sound was lean and mean all the way through, whether doing a respectful cover of George Gershwin's "Summertime" or raucous renditions of "Lucille," "Poison Ivy," and "Hully Gully." Even the seeming throwaway numbers, such as "Hot Summer (Asian Mashed)," with its faux-Eastern embellishments, and the soaring "Spudnik," are played with such virtuosity and spirit that they demand attention, and there are a surprising number of vocals on this album, albeit mostly of the nature of choruses on songs like "The Wah-Watusi" and "Hully Gully." — Bruce Eder |
02:23 |
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11 |
(Baby) Hully Gully |
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For an album that yielded not a single hit (and which was one of five long-players released by the band in 1962), Mashed Potatoes and Gravy (later retitled The Ventures' Beach Party) is one hell of an enjoyable album and still a very solid and substantial album, over 40 years later. The group's sound was lean and mean all the way through, whether doing a respectful cover of George Gershwin's "Summertime" or raucous renditions of "Lucille," "Poison Ivy," and "Hully Gully." Even the seeming throwaway numbers, such as "Hot Summer (Asian Mashed)," with its faux-Eastern embellishments, and the soaring "Spudnik," are played with such virtuosity and spirit that they demand attention, and there are a surprising number of vocals on this album, albeit mostly of the nature of choruses on songs like "The Wah-Watusi" and "Hully Gully." — Bruce Eder |
02:21 |
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12 |
Spudnik |
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For an album that yielded not a single hit (and which was one of five long-players released by the band in 1962), Mashed Potatoes and Gravy (later retitled The Ventures' Beach Party) is one hell of an enjoyable album and still a very solid and substantial album, over 40 years later. The group's sound was lean and mean all the way through, whether doing a respectful cover of George Gershwin's "Summertime" or raucous renditions of "Lucille," "Poison Ivy," and "Hully Gully." Even the seeming throwaway numbers, such as "Hot Summer (Asian Mashed)," with its faux-Eastern embellishments, and the soaring "Spudnik," are played with such virtuosity and spirit that they demand attention, and there are a surprising number of vocals on this album, albeit mostly of the nature of choruses on songs like "The Wah-Watusi" and "Hully Gully." — Bruce Eder |
02:25 |
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